Introduction


The aim of this blog will be later on to show around the endless possibilities hidden in the kingdom of fungi, let it be traditional applications like cultivation of gourmet or medicinal mushroom, or more unusual ones, like using mushrooms for their coloring or fibre properties, etc.

Right now I merely story about my home made attempts and experiments in the fields of cultivation, dyeing, ink, paper, decoration and packaging making, etc :)

--update: contact: gombakezerarca@gmail.com
Showing posts with label Scleroderma. Show all posts
Showing posts with label Scleroderma. Show all posts

Saturday, March 17, 2012

Spring check up on wild shrooms I

I have restarted recently my regular cycling trips in the neighbouring forests and pastures after the winter period. The shrooms are still sleeping, apart from some newgrown Trametes hirsuta and versicolor (brown variety) I havent found yet new crop.

First pic: T. hirsuta, other three: T.versicolor brown variety.






I have also found some leftovers from the autumn: Scleroderma citrinum, Piptoporus betulinus, and some gorgeous Calvatia gigantea, that was the best surprise of the day, even the week.

Scleroderma citrinum
Piptoporus betulinus

Calvatia gigantea


The Calvatias, some 4-5 of them were sitting in a row after each other next to the small hump of the road. On the other side of the hump a local farmer collected his nitrogen rich wastes, which made the C.gigantea's appareance logical. This also meant that they were there all along autumn, I just didnt get to see them due to the dense vegetation, though I was regularly checking on this hump for Boletes. I could not resist to take one of these beautiful babies with me for my strain collection and for the dyepot, I am so looking forward to the results!



Sunday, March 11, 2012

Start-up with dyeing - Part III. Sampling

I have continued to test wild mushrooms for color in the way described in the previous post:

  1. After collecting the mushrooms, prepared a dyebath from them by simmering for ca 30-40 minutes, and then placed the liquid in the fridge for about 10C. And they stayed there unfortunately for couple of month. Those with a pH around 6.3 looked and smelled okay, those above pH7 had either bacterial or mold contam and smelled most of the time.

  2. I have scoured the yarn (wool, Regina, color 002) by simmering for half an hour or so and then mordanted a third of it in alum, and another third in iron. It was the same mordant bath as in the previous post --> the yarns are still "over"mordanted, by using too much of the mordant (iron especially, so iron results I just disregard for these experiments).

  3. After mordanting I prepared the test swatches (containing an unmordanted, an alum and an iron mordanted piece) and placed them by three into the hand warm dyebath, and simmered them for 60-120 minutes, depends. Unfortunately couple of time I didnt take enough care and the bath began boiling. I dont have a water temperature meter, but I plan to get one for the next experiments.

  4. After the dyebath I washed and placed to dry one of the test swatches. Another one I put into warm water, with pH 4.5 (modified by white vinegar) and the third one in pH 10, modified by ammonia. These I simmered for another half an hour.

Below are the results (again, photomashine still sucks).

From left to right:
  • 3 unmordanted samples, with acid, normal and alkaline pH, then
  • 3 alum mordanted and thereafter
  • 3 iron mordanted, pH row the same.

Oh, and yes I used to have photos of from the time I collected the fresh mushrooms for identification purposes, but my laptop got recently stolen (from the backpack of the car, in front of a police station...) and there it went all my photos from earlier times, including the most uptodate version of my strain database :((((. I am still crying when I am thinking of it. Learning: backup backup backup your files.



Calvatia excipuliformis

I used the already ripen (and thus dark) sporemass of one specimen.

It gave a rather pale goldenish in acidic range, and pale green on higher pH levels. No significant difference between unmordanted and alum mordanted yarns, but I havent tested light and washfastness yet.
It seems as an interesting candidate for dying, provided you are not craving for some very striking colors.

They say it is saprotroph, so I might give a try to its cultivation later on (especially that it is edible when young)

  
Panaeolus antillarium

I found this one growing on the top of a heap of sheep poo, on an anotherwise nice pasture. I am pretty sure it is Panaeolus and there is some likeliness that it is antillarium... I collected very cautiosly some 5-6 of them on their long stems. The gills were pretty dark already, they were however not very old mushrooms.
On the photos you might see some difference, but as I am now looking at the test swatches next to me, they actually all look the same pale beige. It is a dye dud suspect, in fact.
I might try later with older specimens.


Scleroderma citrinum
It was ca. half a handful of ripen specimen with greyish-brown sporemass.
It give a strong light brown, especially with alum and without post-dyeing simmering in water with modified pH. As will be seen for a next post, I managed to keep dyeing with this dyebath, so S.citrinum is a good candidate.
 Too bad it is mycorrhizal and cant be cultivated on its own. These ones grew around Castanea sativa (sweet chestnut) mixed with pine and silver birch, in moss, in larger groups.
Some of them hosted a parasitic Bolete, with the creative name Boletus parasiticus. (those parasited Scleroderma were not used for the experiment, though would have been interesting as their interior is at times differently colored than normal Scleroderma) 


Xerocomus armeniacus
With Xerocomus and Boletus species one must be very careful with identification.
This one grew under an oak tree next to the road (and exclusively under that one tree, nowehere else was I able to find this species), and it kept producing new fruitbodies every couple of weeks throughout the summer-autumn period. They were mostly present with blue Russulas, the Xerocomus being at the bottom of the small hump where the water flows and is more moist and the Russula up on the hump with about a meter.
I was always eager to find them, mostly not even picked just awed and photoed. They had really pretty velvety apricot-reddish caps, were not growing too big, while flesh and stem bright yellow, both staining blue when touched. Based on this my best guess became X. armeniacus. Unfortunately they were prone to be attacked very early by a mold, that was even quicker than maggots...
I made two separate dyebath following the same principles from two separate collections from the same place (specimen not too old either case). If you check below, it is stunning how same the results are.
Alum gave the best colors (pale green). Interestingly, strongest colors came on the test swatches simmered in pH 4.5 water after the actual dyebath, both on unmordanted and on alum mordanted swatches.
Test nr.1.

Test nr.2.

Xerocomus communis

These lads were growing at a number of places, in the forest as well as in the middle of the city on alleys. I think they were closest to X. communis, as had small size (up to 5-10 cm), cap yellowish with cracks that are often reddish, red dots in the base of the stem and very very often full with maggots, and is blueing upon touch.

Used specimen were not too old, not too young average shrooms, and they gave strong light green on alum after acidic afterbath and strong light brown on higher pH ranges with or without afterbath. And best of all I could keep on using the dyebath thereafter for a number of yarns :).

As all Xerocomus species, it is mycorrhizal, so no hope for a small home production for a while.




Tuesday, March 6, 2012

Start-up with dyeing - Part I.

During the late autumn period, after I got hooked up on Miriam Rice's mushroom dyeing books I prepared dye bathes from all sort of mushrooms that crossed my path in the forest in a volume bigger than my fingertip. Unfortunately I havent found too much from each species (ca. a handful max in most cases), so as it later turned out, my dye bathes were not awfully packed with colors.

Nevertheless, as I was looking at my rather washed out colors after the first slight disappointment I was thinking what amazing colors will I be able to achieve once I will have sufficient amount of mushroom available. Most sources suggest at least 1:1 ratio of mushroom and wool in weight, in my case wool heavily overwhelmed mushrooms.

As I also learnt by experience, different mordants and different dyes (and their combination) respond differently to different treatments. For some mushrooms, cold soaking for a day or so gives a pretty good result, while for others one must simmer it for some time, otherwise dye molecules wont attach to the fibre no matter how long it has been soaked. For shorter simmering one certainly gets brighter colors, but I tyically had to simmer for 2-3 hrs as the amount of dye molecules were so low in the bath, and so I mostly have duller tones.

Fresh mushrooms were used each time for the dyebath, with 3 exceptions of dried samples. Liquids were then stored in the fridge at 10C for some months. No need to mention, that most of them got pretty smelly either from bacteria or from fungi and their pH were elevated from around 6.3 (pH measured for non smelling liquids) to 7-8. I expect that extended storage may also affect coloring capability. Next time I will rather freeze them and prepare dyebath fresh. According to some freezing anyway has a good effect on the amount of available dye.

I used a commercially spun merino wool yarn (Regina Classic from italian manufacturer Adriafil, base color 002, lot 004 each) in white color for all dyeings, as I havent manage to locate hand spun untreated yarn in the vicinity and for a reasonable price. Apparently it is the official wool used on the "Speed Knitting" competitions, so should do as a start :).


The following species were tested, and they were willing to dye the fibers to a bigger or smaller extent. (Unfortunately some of them were fully exhausted already by the test swatches, and could not be used later on the half a skeins that I dyed.):

Piptoporus betulinus --> lignivorous polypore (dried) --> test swatch + half skein
Hapalopilus rutilans --> lignivorous polypore (fresh) --> test swatch
Hypholoma fasciculare --> lignivorous (fresh) --> test swatch + half skein
Calvatia excipuliformis --> saprobic (fresh, ripe) --> test swatch
Panaeolus (antillarium ?) --> saprobic (fresh) --> test swatch
Xerocomus sp. --> mycorrhizal (fresh) --> test swatch + half skein
Boletus edulis -->  mycorrhizal (dried from supermarket) --> half skein
Scleroderma citrinum --> mycorrhizal (fresh) --> test swatch + half skein
Paxillus involotus --> mycorrhizal (fresh) --> test swatch + half skein
Craterellus cornucopioides --> mycorrhizal (fresh from the market) --> test swatch

The next ones proved to be completely or mostly dye duds, not resulting in any significant dye with the so far tried methods:
Clitocybe odorata
Coprinus comatus
Coltricia perennis
Mycena pura
Pleurotus djamor
Trametes versicolor brown variety

/ see Start-up with Dyeing - Part II. for more /